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According to Hamshahri Online, on the other hand, Marks has experimented in most literary formats such as long story, short story and novel and presented successful examples. With a simple interpretation and analysis, the common denominator of all these works is Latin America. Latin America and all aspects of this land, including culture, customs and characters, have a strong presence in Marquez’s stories.

Marks spoke about the influence of Hemingway and Faulkner on his stories, but believed that it was music that opened his eyes. Music and especially the narrative songs of his homeland: “30 years ago, no one knew Vallenato’s songs beyond Magdalena Street. The form of songs that told a story or an event caught my attention. All those images were natural, and when Vallenato’s songs became popular and entered the commercial music market, the rhythm and feeling of those songs fascinated me. “Those songs were like the ones my grandmother hummed for years.”

From talking about poetry and music, Marx wanted to reach the point of view that the support and root of his literature was in poetry. Marquez was so fascinated by poetry at a young age that he later said that he did not know why he wrote a novel and where he learned to write a novel at all.

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The famous feature of Marquez’s stories and novels is their magical realism, about which Marquez said: “This style is the way my grandmother used to tell stories; He narrated the wildest events in the most natural and simple language.”

In the last years of his life, Marquez’s creativity and writing ability decreased. He spent about 10 years to write the book My Sad Lovers’ Diary, published in 2004. In January 2006, he announced that he no longer wanted to write. The latest work published by Marks is a book titled “I did not come to give a speech”, which is a collection of 22 speeches given by the author at various events.

With the death of Gabriel García Márquez at the age of 87, at his home in Mexico City, the world lost another great writer. In tribute to Gabriel García Márquez, Colombian President Juan Manuel Santos wrote on Twitter: “A thousand years of loneliness and sadness, for the death of the greatest Colombian in history.”

Marx’s books have been translated into 56 languages. This is his picture on different newspapers.

The most exciting story related to this writer was the punch that Yusa delivered to the face of Marquez in 1976. Apparently, the story was told by Dehanloghi Marquez, who gave the statistics of a love affair.

Marquez was a close friend of Fidel Castro. He went to this country in 1959 immediately after the Cuban revolution and started a news agency for Castro.

Marquez took screenwriting classes with Carlos Fuentes, another famous Latin American writer, for years. They also wrote a screenplay called “Golden Rooster”.